Of course, the GUI plays a big part in workflow and in this department Toxic Biohazard is simply laid out with a sensible hierarchy and component flow Ĭonfiguration, which deals with all the usual preset global settings like Transpose, Poly, Unison (I wish more vstis would have this feature) with voice selection, detune and pan, glide mode and time.īank, preset and program load and display section.
The strength in any vsti lies within its synthesis engine, filters and the modulation matrix. The overview for Toxic Biohazard makes for some interesting reading but what sticks out for me, as a sound designer, is its synthesis engine and modulation matrix and how well they are featured and the fluency of delivery.ĭescribed as having a hybrid synthesis engine, combining the best of FM and Subtractive synthesis Toxic Biohazard boasts a pretty impressive list of features.
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